Godzilla #4 REVIEW
New Era, New Deals
The team separates into two to cover more ground on the pursuit of Godzilla and the seismic anomalies. In Godzilla #4, Jacen, Jaguar Jet, and Dr. Chiba attempt to slow down Godzilla. Meanwhile, the rest of the team discovers a hidden lab they’ve never encountered before. It turns out it belongs to the Kaiju that can both think and talk, and the odds are not in the team’s favor to combat the monstrosity. However, something the monster tells them entices the captain to utilize his negotiation skills to weasel out of a dire situation. What the discussion was about just might have readers turning pages for more.
Continuing a unique mythos of Godzilla, Tim Seeley (Barbaric) writes a story like no other. The various twists and turns this story takes don’t seem to suffer from poor or cliché writing. In fact, Godzilla #4 increases interest in what happens next for both the team and Jacen’s connection to Godzilla. Simultaneously, readers get an understanding of the Kaiju that speaks and thinks, and how it fits into the story. Nothing about that Kaiju is right, and the mystery of what it is still hasn’t been revealed. The pacing of the comic book adds a sense of inclusion as you read. Readers feel what the characters feel as their emotions unfold throughout the story. Granted, what the captain did in the story wasn’t something expected from him, and his reasons behind it question the way he operates.
The artwork by Nikola Čižmešija (Batman Incorporated) continues to be a roller coaster ride of excitement. The illustrations work perfectly for a story like Godzilla. The range of art styles can vary in battles against Kaiju monsters. Godzilla #4 is blessed with art that highlights its storytelling moments. As the story progresses, the art’s intensity increases. Readers are going to be unprepared for how incredible the artwork becomes.
The colorist, Francesco Segala (Firefly), vividly embellishes the pages of the comic book. The coloring enhances the story to its full potential to be enjoyed by both veteran and new fans of Godzilla. Segala’s approach to bringing out the rich flavor of this world is fantastically established. Ranges of colors used to enhance pivotal moments in the story add depth to emotions and unexpected situations.
Nathan Widick’s (Star Trek) lettering work is impressive for the latest installment of the series. It’s so good that the lettering work brings just as much stunning interest as other creatives in this comic book.
The cover art to Godzilla #4 is astounding. Čižmešija’s vision on creating a cover that appeals to the story’s quality complements the context inside the comic book.
Overall, Godzilla #4 is one wonderful read. It may seem slow from the start, but it gets better as more pages are turned. If you’re looking for a reason to keep reading the series, just know it’s building up to something huge. For new readers, it’s okay to start here and go back if you want more context. Be sure to pick this one up from your local comic book store or online, where copies are sold.
Comic Detail
Writer: Tim Seeley
Artist: Nikola Čižmešija
Colorist: Francesco Segala, Asst. Gloria Martinellie
Letterer: Nathan Widick
Cover Artist: Nikola Čižmešija
Editor: Jake Williams
Publisher: IDW
Date of Release: November 5, 2025
Rating: 5/5
About the Author
Howard Smith Howard is a passionate collector and avid reader of comics & manga. His love for all things pop culture extends beyond the pages of comics, as he is a seasoned gamer with an appreciation of quality storytelling. As he is always on the hunt for rare collectibles, he manifests an opportunity to celebrate his fandoms. Follow along for new discoveries and changes in the world of entertainment.
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