Melanie Hawkins Shines in Blanc de Blanc Encore: Interview
International performer Melanie Hawkins has captivated audiences with her dazzling presence in Blanc de Blanc Encore, the acclaimed French cabaret that blends circus, dance, comedy and a touch of cheeky glamour.
Hawkins, who began her artistic journey in ballet at the age of three, recalls that her passion for live performance was always clear. “Dance has always been my main love,” she explains. “It just felt like live performance was my thing, rather than television or film.” Over the years, she expanded her repertoire to include singing and acting, creating the perfect foundation for the immersive world of cabaret.
When director Scott Maidment reached out to her in 2019 with an invitation to join Blanc de Blanc Encore, Hawkins admits she had little idea what she was stepping into. “I had just finished playing the lead in Saturday Night Fever in Sydney. Scott contacted me through Instagram and when I saw the sizzle reel of the show, I knew straight away I wanted to do it. It was an absolute yes.”
Describing Blanc de Blanc Encore to newcomers, Hawkins says: “It’s a French cabaret with circus, singing, dance, comedy and lots of surprises. The audience is part of the piece — the show happens all around you. It starts like a champagne cocktail evening and becomes more and more debaucherous as the night goes on.”
Unlike traditional musical theatre, cabaret thrives on intimacy and interaction. Performing in Melbourne’s Spiegeltent, Hawkins relishes the chance to connect directly with the audience. “I can make eye contact with most of the people in the room. Their reactions — even just a facial expression — give me energy. It’s so rewarding.”
The show is known for its outrageous fun, and Hawkins credits host Felix for keeping her laughing. “His cheeky smirks and hilarious lines on stage always get me.” Audience participation also brings unpredictable moments — including one memorable night when a tipsy volunteer fell off the stage. “Thankfully there were no injuries, but we were crying with laughter,” she recalls.
Costumes and choreography are carefully designed to balance the show’s playful nudity with artistry. “It’s all about clever staging, lighting and timing. The nudity is cheeky and empowering — we’re in control of how our bodies are presented.”
Beyond Blanc de Blanc Encore, Hawkins is embracing new creative ventures. She recently debuted Late Night VICE, a risqué adults‑only show produced by Strut & Fret. “It’s no phones, no cameras, no evidence — a late‑night show that’s more adult‑themed. We premiered in Brisbane and will be doing more seasons this year.”
While musical theatre often locks performers into long runs, Hawkins enjoys the freedom of shorter seasons. “It leaves me open to new opportunities, especially last‑minute ones. The second half of next year is pretty open, and I’ll see what comes my way.”
Reflecting on her greatest personal achievement, Hawkins doesn’t point to a single role or collaboration — though working with Baz Luhrmann and Hugh Jackman were highlights. Instead, she values longevity. “I’m most proud of the consistency I’ve kept throughout my career. Performing can feel unpredictable, but I’ve been able to sustain it for 20 years. That’s what blows my mind.”
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