Platinum Dunes, the Michael Bay-owned 
		production studio responsible for tarting up the Friday the 13th
		franchise with their poorly-received 2009 outing of the same 
		name, have this time turned their attentions to infamous undead 
		kiddie-fiddler Freddy Krueger. 
		
		Boasting a more realistic makeup job and a 
		spooky digitally-altered voice this time around, the perpetually scruffy 
		killer is busily haunting the dreams of a whole new generation of 
		unsuspecting, good-looking young suburbanites.  The vapid twits scream 
		and flounder just like they did in the eighties, trying desperately to 
		keep themselves awake when they realise the sweater-clad cad only 
		attacks them in their dreams, but by the time they realise there’s a 
		common link uniting them viewers will likely be numb with tedium. 
		
		Both a ‘reboot’ of the series and a loose 
		remake of Wes Craven’s 1984 original, A Nightmare On Elm Street
		comes across as a curiously inert affair.  Apparently director 
		Samuel Bayer had to be persuaded by old crony Michael Bay to even take 
		on the project, and it isn’t hard to see why: the budget might have 
		increased and the special effects improved, but even the presence of 
		computer-generated wizardry and a darker, more nuanced villain can’t 
		disguise the fact that this addition to the series offers little that 
		hasn’t already been seen in the eight films which preceded it.  The 
		characters are mostly interchangeable cardboard cutouts – one exchange 
		between Kris Fowles (Katie Cassidy) and her mother finds both actresses 
		so disinterested as to appear in their throes of a narcoleptic episode, 
		and it is difficult not to follow suit.  Only the excellent Rooney Mara, 
		soon to be portraying Lisbeth Salander in the US remake of The Girl 
		With the Dragon Tattoo, gives anything approaching a committed 
		performance, but ultimately she fails to inject more than a modicum of 
		watchability into this ugly, rotten carcass of a concept. 
		
		
		
		Audio & Video
		
		No complaints here.  The film is presented 
		in an impeccable 2:40:1, 1080p transfer, with a DTS-HD English 5.1 
		Master Audio track.  Other languages featured are Castilian Spanish, 
		Italian, French, German and Thai, all in DD 5.1 surround.  A 2.0 English 
		Audio Descriptive Service is provided, as are subs in English and no 
		less than 15 other languages. 
		
		Special Features
		
		Warner Brothers certainly haven’t skimped 
		on providing value for money.  The Blu-ray Combo Pack contains the 
		1080p, DVD and Digital Copy (for watching on iPods and the like) 
		versions of the film – three formats for around thirty bucks isn’t too 
		shabby, and it’s a nice incentive to those presently sticking with DVD 
		but thinking about upgrading to HD in the future.   
		
		Included as bonus features are a fairly 
		standard, self-congratulatory 14-minute ‘Freddy Krueger Reborn’ 
		Featurette that includes behind the scenes footage and 
		interviews with cast and crew; something called ‘WB’ Maniacal Movie 
		Mode, which provided such useful titbits as ‘in certain scenes you 
		can literally see the flesh bubbling on Krueger’s face;’ ‘Focus 
		Points’, a series of short featurettes on makeup, costumes, special 
		effects and the like, two Deleted Scenes and an Alternate 
		Ending.  The lack of a Director’s Commentary is a glaring omission, 
		but fans of the film (and its $130 million worldwide box office gross 
		suggests there are plenty of those) will presumably not be disappointed 
		by this bumper crop.