If you’ve ever heard the words ‘Roger 
		Corman’, ‘Syfy’ or ‘Dinocroc vs Supergator’ then you’ll pretty 
		much know what to expect here from Dinoshark.  A group of 
		revellers holidaying in Mexico are feasted upon by a fearsome creature 
		thawed from a newly-melted arctic glacier... 
		
		And that’s pretty much all there is to it.  
		The latest low-budget monster outing from venerable schlockmeister Roger 
		Corman, whose recent films include such similarly-themed fare as 
		Dinocroc and Sharktopus, Dinoshark revels in B-movie 
		cheesiness and incorporates all the hallmarks: hammy acting, bad 
		dialogue, unconvincing effects (think sausages as intestines), extensive 
		use of stock footage and a wilful, if tongue in cheek, adherence to its 
		singularly silly premise. 
		
		The Dinoshark proves impervious to bullets 
		and other manmade weaponry and the gang’s attempt to destroy it, usually 
		whilst clad in revealing bathing costumes and spouting nonsense in 
		unconvincing Spanish accents, provide much of the dramatic impetus.  
		Such as it is.  The film won’t win any awards for, well, anything, but 
		it does have a number of truly funny moments and ultimately proves 
		highly enjoyable in an Ed Wood, guilty pleasure kind of way, providing 
		you can look past the terrible CGI and even worse acting and also 
		suspend your disbelief to the point where it becomes but a distant speck 
		on the horizon. 
		
		The film also looks great on Blu, for what 
		it’s worth, and the 1080p transfer is incredibly crisp and vibrant, 
		especially considering the film was shot on 35mm film and not in HD.  
		The TrueHD 5.1 surround audio is likewise strong, ensuring you won’t 
		miss any of the subtle nuanced of exchanges such as: 
		
		Carol:  I teach environmental science with 
		a focus on aquatic ecosystems.
		
		Luis:  Big words.  Let’s drink! 
		
		In the way of Special Features 
		there’s an Audio Commentary with Producers Roger and Julie Corman and 
		Director Kevin O’Neill.  The Cormans are in typically good form and 
		O’Neill is full of interesting titbits and insights into the shooting 
		process – one of the more enjoyable audio commentaries of the past few 
		months, methinks, and a worthwhile compliment to the absurdity of the 
		feature itself.