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  Say his name in the 
  reflection of the mirror and he will appear with a hook inserted into his 
  bloody stump and cut you open.  Well that’s what happens in the film anyway 
  based on an urban legend made up to be told at campfires, frightening the heck 
  out of anyone who comes within hearing distance.  Is it just a figment of 
  Helen’s Lyles (Virginia Madson) fragmented mind? You be the judge and it is 
  not until the end when the viewer finds out.  
  Helen and her friend 
  Bernadette Walsh (Kasi Lemmons) are students at an American University 
  studying Urban mythology for their masters degree.  They are writing a thesis 
  on an Urban Legend called the Candy man who seems more than just a myth after 
  the deaths of a few people in downtown Manhattan.  The two students go to 
  investigate the brutal murder of a woman by the hands of the alleged serial 
  killer.  Was it done by Helen in a spell of madness or is the Candyman real 
  and exists in another realm unperceivable to ordinary citizens of the city.  
  Including the doctors admitting Helen to a Psych hospital for her prominent 
  mental illness.  
  The questions that this 
  film implies is interesting. Is it possible to become so unaware of actions 
  that a subject will have doubt instilled about their own actions and their own 
  part of the story?  Does Helen do these things or is the myth of the Candyman 
  a reality?  Her research and visions point towards the latter.  But this is 
  the viewpoint that the camera sees through the eyes of Helen and not what 
  everyone else is seeing.  This alternate reality is not evident as being real 
  throughout the film but the rhetorical question and crux of the story remains 
  to be discovered until the end.  
  The story is interesting 
  and captivating enough to be worthwhile.  Keep in mind that even though it 
  sounds like a deep psychological thriller, there is not a lot of thinking 
  needed to enjoy it. Sure there is an element of questioning that goes with it 
  as a side dish.  But this finger food of thought goes with the enjoyment and 
  not vital for comprehension of the story.  
  To fans of horror this 
  feature is not as scary as the sixth sense and has not got a lot in it to 
  scare the pants off viewers.  The exemplary use of blood and the voice of the 
  Candyman will make the viewer think twice about looking at mirrors and 
  repeated his dreaded name. The Candyman’s voice is suitably menacing and 
  transcends his need to actively speak and his thought is input into Helen’s 
  mind in a deep tone tempting Helen to test her own boundaries.  An example 
  “Soon everyone you know will abandon you, and you will be left with only me” 
  beckons Helen to go into derelict apartments and uncover her own cataclysm of 
  psychological despair.  
  Overall Candyman is an 
  excellent story of horror and thrilling and thought provocative media.  
  Recommended to all horror fans.  The extras are informative but not a great 
  deal is said about the actors and directors history’s.  There are bigraphies 
  of the director, and two of the main actors, including Virginia and Tony Todd 
  (the actor who plays as the Candyman)The picture is sharp and the orchestral 
  soundtrack is intense and compelling, perfect for the subject matter. 
                
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                    Candyman 
                    Features |  
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  Teaser trailer - Trick or Treat
2 Theatrical trailer - The Step Father + Candyman
3 Cast/crew biographies |    |